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He went on to helm his third directorial work Out of the Blue (1980), for which he was again honored at Cannes, and appeared in Rumble Fish (1983) and The Osterman Weekend (1983).In the next ten years he made a name in television, and by the end of the 1960s had appeared in several films.

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Sorting through the more than 375 images in “Dennis Hopper: The Lost Album” at Michael Kohn Gallery, mundane if sometimes useful documents of their time and place are peppered with photographs that sing.

He worked on various small projects until he found new fame for his role as the American photojournalist in Apocalypse Now (1979).

(Hopper died in 2010, and the work was shown in London in 2014.) Yet, it also shows why Hopper’s photographs are worth looking at.

Ample evidence is offered in an exhibition of unearthed pictures that apparently have not been seen in the U.

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